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It's a fitting end to a thoughtful and ultimately hopeful album that doubles as a songwriting showcase. Buy and sell your Elizabeth and The Catapult concert tickets today. Opening for The Franklin Electric for a second night Elizabeth is charming and. Having said that, Ziman presents a solid front here, and that includes the hidden 13th track, "New Beginnings," a dreamy surf tune with hot sand between its toes and production by Richard Swift. Elizabeth and The Catapult tickets for the upcoming concert tour are on sale at StubHub. Elizabeth and the Catapult won over the crowd at The Drake Underground. Keepsake holds its share of wistful reflection ("Magic Chaser," "Better Days") and sentiments somewhere in between, but it gets downright forlorn on the arresting "Land of Lost Things." A piano-and-strings lament with Sondheim-ian overtones, it features reverb-rich production by Mark Marshall and proves to be an album highlight. The album's not all bright and bubbly, though.
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An album that embraces moving forward from hard-earned life lessons, the songwriter turns the lens on herself on "Underwater." Also upbeat in tone but with lusher, full-band production by former bandmate Dan Molad, it takes stock of personal growth with lyrics like "I'm not afraid of sleeping like I used to be/I can crash into the waves, let them roll over me." Elsewhere, the earworm "We Can Pretend" functions as a jaunty anthem for selective reminiscing with handclaps and Mellotron among its palette. Elizabeth And The Catapult Honeyhoney Airborne Toxic Event Mieka Pauley Misery Loves Company Pnau Rachel Goodrich Closterkeller Empire of the Sun Radigost. A classically trained pianist who took up the guitar before her previous album and writes on both, she puts piano front and center on the Randy Newman-esque "Mea Culpa." A pair of character sketches about reaching personal crossroads, the song's buoyant, racing piano accompaniment and Ziman's playful delivery may seem to underplay serious subject matter, but, after all, any hardship stems from their own bad behavior.
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by Elizabeth Pechan, Howard Aru and Tekon Timothy Tumukon. In addition to touring and appearing on albums by bands like Kishi Bashi and Son Lux during that stretch, she also carved time to score a handful of documentary films with Paul Brill. How Vanuatus COVID-19 policies can catapult economic recovery through the private sector in 2022. Following 2014's Like It Never Happened by three years, it was written and recorded at various stops in the interim, with six different producers not counting Ziman herself. It's as if she walks around in galoshes, always, never knowing when the puddles will get think enough to rise above the rubbered soles of her shoes and get into her dry stockings.Keepsake is the fourth album and Compass Records debut of Elizabeth & the Catapult, the project of New York singer/songwriter Elizabeth Ziman. It's as if she walks around with an umbrella eternally pressed into a palm, popped open, indoors and outdoors, just waiting for the droplets to start streaking down over the nylon hood above her. As Elizabeth & The Catapult, Ziman has released two full-length albums and a self. It's not so desperate and weepy, just observationally downcast and ready and waiting for the skies to just open up and dump again, cause that's the treatment that seems to come. Like It Never Happened was co-produced by Molad and Peter Lalish (Lucius). She oozes the teary-eyed qualities of a chronic melancholic soul, dripping with the kind of sadness that Karen Carpenter brought to all of her songs, though maybe it's not as afflicting or destructive. It's got a seasoned chanteuse's smokiness and whiskey-ness rubbed into it, affecting its meanderings and tailings, trailing the words she chooses with a faint milkiness, a string of dreaminess that lingers in the air like a feathery cough. Elizabeth Ziman's singing voice is one that soothes you into a comfortable state, sinking you into a cushioned chair of which it's a task to extract oneself from after a long enough sitting spell.